A Midsummer Night's Dream Theseus Quotes

Theseus

Quote 4

THESEUS
Lovers and madmen have such seething brains,
[...]
The lunatic, the lover, and the poet
Are of imagination all compact: (5.1.4; 7-8)

After hearing the young Athenians' stories, Theseus says that madmen, lovers, and poets have a lot in common—they're all highly imaginative and also a little nuts. 

Theseus

Quote 5

THESEUA
Come now; what masques, what dances shall we have
To wear away this long age of three hours
Between our after-supper and bed-time?
Where is our usual manager of mirth?
What revels are in hand? Is there no play
To ease the anguish of a torturing hour?
Call Philostrate. (5.1.34-41)

A lot of literary critics have pointed out that, in terms of plot, the craftsmen's actual performance of Pyramus and Thisbe (Act 5, Scene 1) isn't even necessary because, by the time the Mechanicals perform their play, Shakespeare has already wrapped things up by marrying off all of his couples and assuring us of a happy ending.  So, why does Shakespeare bother with the Mechanicals' performance?  Is it just to torture his newly married couples by delaying their wedding night?  Something else? 

Theseus > Philostrate

Quote 6

THESEUS
What are they that do play it?

PHILOSTRATE
Hard-handed men that work in Athens here,
Which never laboured in their minds till now,
And now have toiled their unbreathed memories
With this same play, against your nuptial.

THESEUS
And we will hear it.

PHILOSTRATE
No, my noble lord,
It is not for you: I have heard it over,
And it is nothing, nothing in the world,
Unless you can find sport in their intents,
Extremely stretch'd and conn'd with cruel pain
To do you service. (5.1.75-86)

When Philostrate refers to the Mechanicals as men who have "never labour'd in their minds till now," he suggests the craftsmen are incompetent actors because they're uneducated.  Is this the play's overall attitude toward acting and the theater?  It certainly seems that way, because the Mechanicals are clueless about common theatrical conventions (basic staging, use of props, and so on) and butcher the names of classical places and figures during the performance.  Is Shakespeare being a snob or, is he depicting his profession as a craft that requires skill and intelligence?