A Midsummer Night's Dream Theseus Quotes

Theseus > Hippolyta

Quote 1

THESEUS
Hippolyta, I woo'd thee with my sword
And won thy love doing thee injuries,
But I will wed thee in another key,
With pomp, with triumph, and with reveling. (1.1.17-20)

Yikes! In the play's opening scene, we discover that Theseus and Hippolyta are about to be married because Theseus conquered Hippolyta and her people (the Amazons). Although Hippolyta seems pretty pleased with the engagement, we're left with the uneasy feeling that Theseus sees love as something that can be won by sheer force.  This idea resurfaces again just a few moments later when Theseus determines that a young woman must marry (against her will) the man her father has chosen for her. Otherwise, she'll face the death penalty or life as a celibate nun. 

Theseus

Quote 2

THESEUS
Fair lovers, you are fortunately met.
Of this discourse we more will hear anon.—
Egeus, I will overbear your will,
For in the temple, by and by, with us,
These couples shall eternally be knit.— (4.1.184-188)

In A Midsummer Night's Dream, the seemingly natural course of love ends in marriage. (This is true of all Shakespearean comedies; head over to the "Genre" section for all the deets.) Here, Theseus's wedding day has finally arrived and the two sets of Athenian lovers have been paired up, despite Egeus's objections. Still, this seemingly happy ending leaves us a little nervous, if not skeptical. After all, the only reason Demetrius loves Helena is that he's under the spell of the magic love juice.  

Theseus > Philostrate

Quote 3

THESEUS
Go, Philostrate,
Stir up the Athenian youth to merriments.
Awake the pert and nimble spirit of mirth.
Turn melancholy forth to funerals;
The pale companion is not for our pomp. (1.1.12-16)

Here, Theseus orders his Master of the Revels to drum up some entertainment and a general party atmosphere.  In Shakespeare's day, the Master of the Revels was the title of the royal court's official party planner.  He was in charge of hiring entertainers and deciding which plays could be performed on public stages in and around London.  He also had the authority to censor plays that were offensive or potentially rebellious in theme or content.