Laurie came every day, and wheedled Aunt March till Amy was allowed to go out with him, when they walked and rode and had capital times. After dinner, she had to read aloud, and sit still while the old lady slept, which she usually did for an hour, as she dropped off over the first page. Then patchwork or towels appeared, and Amy sewed with outward meekness and inward rebellion till dusk, when she was allowed to amuse herself as she liked till teatime. The evenings were the worst of all, for Aunt March fell to telling long stories about her youth, which were so unutterably dull that Amy was always ready to go to bed, intending to cry over her hard fate, but usually going to sleep before she had squeezed out more than a tear or two.

If it had not been for Laurie, and old Esther, the maid, she felt that she never could have got through that dreadful time. The parrot alone was enough to drive her distracted, for he soon felt that she did not admire him, and revenged himself by being as mischievous as possible. He pulled her hair whenever she came near him, upset his bread and milk to plague her when she had newly cleaned his cage, made Mop bark by pecking at him while Madam dozed, called her names before company, and behaved in all respects like an reprehensible old bird. Then she could not endure the dog, a fat, cross beast who snarled and yelped at her when she made his toilet, and who lay on his back with all his legs in the air and a most idiotic expression of countenance when he wanted something to eat, which was about a dozen times a day. The cook was bad-tempered, the old coachman was deaf, and Esther the only one who ever took any notice of the young lady.

Esther was a Frenchwoman, who had lived with 'Madame', as she called her mistress, for many years, and who rather tyrannized over the old lady, who could not get along without her. Her real name was Estelle, but Aunt March ordered her to change it, and she obeyed, on condition that she was never asked to change her religion. She took a fancy to Mademoiselle, and amused her very much with odd stories of her life in France, when Amy sat with her while she got up Madame's laces. She also allowed her to roam about the great house, and examine the curious and pretty things stored away in the big wardrobes and the ancient chests, for Aunt March hoarded like a magpie. Amy's chief delight was an Indian cabinet, full of queer drawers, little pigeonholes, and secret places, in which were kept all sorts of ornaments, some precious, some merely curious, all more or less antique. To examine and arrange these things gave Amy great satisfaction, especially the jewel cases, in which on velvet cushions reposed the ornaments which had adorned a belle forty years ago. There was the garnet set which Aunt March wore when she came out, the pearls her father gave her on her wedding day, her lover's diamonds, the jet mourning rings and pins, the queer lockets, with portraits of dead friends and weeping willows made of hair inside, the baby bracelets her one little daughter had worn, Uncle March's big watch, with the red seal so many childish hands had played with, and in a box all by itself lay Aunt March's wedding ring, too small now for her fat finger, but put carefully away like the most precious jewel of them all.

"Which would Mademoiselle choose if she had her will?" asked Esther, who always sat near to watch over and lock up the valuables.