The Kite Runner Chapter 4 Quotes
The Kite Runner Chapter 4 Quotes
How we cite the quotes:
Citations follow this format: (Chapter.Paragraph)
Quote 4
We chased the Kochi, the nomads who passed through Kabul on their way to the mountains of the north. We would hear their caravans approaching our neighborhood, the mewling of their sheep, the baaing of their goats, the jingle of bells around their camels' necks. We'd run outside to watch the caravan plod through our street, men with dusty, weather-beaten faces and women dressed in long, colorful shawls, beads, and silver bracelets around their wrists and ankles. We hurled pebbles at their goats. We squirted water on their mules. I'd make Hassan sit on the Wall of Ailing Corn and fire pebbles with his slingshot at the camels' rears. (4.7)
Is this from the movie My Girl or is it in a novel about betrayal and redemption? There's so much innocence: cute little animals, magical caravans, and playful violence without any real consequences. (Compare the violence here with the later blinding of Assef.) There is, however, an emerging violence. Soon, Baba will sacrifice a lamb (notice the livestock here) for a Muslim holy day and Amir will watch as Assef rapes Hassan. In that passage, Amir even compares Hassan's resignation to a lamb's. For now, though, everything is peachy.
Quote 5
The curious thing was, I never thought of Hassan and me as friends either. Not in the usual sense, anyhow. Never mind that we taught each other to ride a bicycle with no hands, or to build a fully functional homemade camera out of a cardboard box. Never mind that we spent entire winters flying kites, running kites. Never mind that to me, the face of Afghanistan is that of a boy with a thin-boned frame, a shaved head, and low-set ears, a boy with a Chinese doll face perpetually lit by a harelipped smile.
Never mind any of those things. Because history isn't easy to overcome. Neither is religion. In the end, I was a Pashtun and he was a Hazara, I was Sunni and he was Shi'a, and nothing was ever going to change that. Nothing. (4.4-5)
This passage occurs in the midst of two relevant insights: 1) Amir never hears Baba refer to Ali as his friend in the stories he tells; and 2) no amount of history, ethnicity, society, or religion can change the fact that Amir and Hassan spent all their formative childhood moments together. So what should we make of Amir's contradictory statements here – doesn't he say history both does and does not trump his love for Hassan? Said another way: can history and ethnicity break the bonds of family? We're not sure. This might be the paradox at the heart of the novel.
Quote 6
We saw our first Western together, Rio Bravo with John Wayne, at the Cinema Park, across the street from my favorite bookstore. I remember begging Baba to take us to Iran so we could meet John Wayne. (4.8)
Have you noticed how many references there are in this novel to American films, especially Westerns? The Western mythologizes its male heroes – they're unnaturally silent, strong, and they accomplish ridiculous feats of endurance. No surprise, then, that Baba and Amir would share a love of American Westerns. Baba because it affirms his brand of masculinity and Amir because it depicts men like his father (men he wishes he could be like).