Into how much of futurity? He saw Mrs. Sparsit fighting out a daily fight at the points of all the weapons in the female armoury, with the grudging, smarting, peevish, tormenting Lady Scadgers, still laid up in bed with her mysterious leg, and gobbling her insufficient income down by about the middle of every quarter, in a mean little airless lodging, a mere closet for one, a mere crib for two; but did he see more? Did he catch any glimpse of himself making a show of Bitzer to strangers, as the rising young man, so devoted to his master’s great merits, who had won young Tom’s place, and had almost captured young Tom himself, in the times when by various rascals he was spirited away? Did he see any faint reflection of his own image making a vain-glorious will, whereby five-and-twenty Humbugs, past five-and-fifty years of age, each taking upon himself the name, Josiah Bounderby of Coketown, should for ever dine in Bounderby Hall, for ever lodge in Bounderby buildings, for ever attend a Bounderby chapel, for ever go to sleep under a Bounderby chaplain, for ever be supported out of a Bounderby estate, and for ever nauseate all healthy stomachs, with a vast amount of Bounderby balderdash and bluster? Had he any prescience of the day, five years to come, when Josiah Bounderby of Coketown was to die of a fit in the Coketown street, and this same precious will was to begin its long career of quibble, plunder, false pretences, vile example, little service and much law? Probably not. Yet the portrait was to see it all out.

Here was Mr. Gradgrind on the same day, and in the same hour, sitting thoughtful in his own room. How much of futurity did _he_ see? Did he see himself, a white-haired decrepit man, bending his hitherto inflexible theories to appointed circumstances; making his facts and figures subservient to Faith, Hope, and Charity; and no longer trying to grind that Heavenly trio in his dusty little mills? Did he catch sight of himself, therefore much despised by his late political associates? Did he see them, in the era of its being quite settled that the national dustmen have only to do with one another, and owe no duty to an abstraction called a People, ‘taunting the honourable gentleman’ with this and with that and with what not, five nights a-week, until the small hours of the morning? Probably he had that much foreknowledge, knowing his men.

* * * * *

Here was Louisa on the night of the same day, watching the fire as in days of yore, though with a gentler and a humbler face. How much of the future might arise before _her_ vision? Broadsides in the streets, signed with her father’s name, exonerating the late Stephen Blackpool, weaver, from misplaced suspicion, and publishing the guilt of his own son, with such extenuation as his years and temptation (he could not bring himself to add, his education) might beseech; were of the Present. So, Stephen Blackpool’s tombstone, with her father’s record of his death, was almost of the Present, for she knew it was to be. These things she could plainly see. But, how much of the Future?

A working woman, christened Rachael, after a long illness once again appearing at the ringing of the Factory bell, and passing to and fro at the set hours, among the Coketown Hands; a woman of pensive beauty, always dressed in black, but sweet-tempered and serene, and even cheerful; who, of all the people in the place, alone appeared to have compassion on a degraded, drunken wretch of her own sex, who was sometimes seen in the town secretly begging of her, and crying to her; a woman working, ever working, but content to do it, and preferring to do it as her natural lot, until she should be too old to labour any more? Did Louisa see this? Such a thing was to be.