It is a moot point whether Tom-all-Alone's be uglier by day or by night, but on the argument that the more that is seen of it the more shocking it must be, and that no part of it left to the imagination is at all likely to be made so bad as the reality, day carries it. The day begins to break now; and in truth it might be better for the national glory even that the sun should sometimes set upon the British dominions than that it should ever rise upon so vile a wonder as Tom.

A brown sunburnt gentleman, who appears in some inaptitude for sleep to be wandering abroad rather than counting the hours on a restless pillow, strolls hitherward at this quiet time. Attracted by curiosity, he often pauses and looks about him, up and down the miserable by-ways. Nor is he merely curious, for in his bright dark eye there is compassionate interest; and as he looks here and there, he seems to understand such wretchedness and to have studied it before.

On the banks of the stagnant channel of mud which is the main street of Tom-all-Alone's, nothing is to be seen but the crazy houses, shut up and silent. No waking creature save himself appears except in one direction, where he sees the solitary figure of a woman sitting on a door-step. He walks that way. Approaching, he observes that she has journeyed a long distance and is footsore and travel-stained. She sits on the door-step in the manner of one who is waiting, with her elbow on her knee and her head upon her hand. Beside her is a canvas bag, or bundle, she has carried. She is dozing probably, for she gives no heed to his steps as he comes toward her.

The broken footway is so narrow that when Allan Woodcourt comes to where the woman sits, he has to turn into the road to pass her. Looking down at her face, his eye meets hers, and he stops.

"What is the matter?"

"Nothing, sir."

"Can't you make them hear? Do you want to be let in?"

"I'm waiting till they get up at another house--a lodging-house--not here," the woman patiently returns. "I'm waiting here because there will be sun here presently to warm me."

"I am afraid you are tired. I am sorry to see you sitting in the street."

"Thank you, sir. It don't matter."

A habit in him of speaking to the poor and of avoiding patronage or condescension or childishness (which is the favourite device, many people deeming it quite a subtlety to talk to them like little spelling books) has put him on good terms with the woman easily.

"Let me look at your forehead," he says, bending down. "I am a doctor. Don't be afraid. I wouldn't hurt you for the world."

He knows that by touching her with his skilful and accustomed hand he can soothe her yet more readily. She makes a slight objection, saying, "It's nothing"; but he has scarcely laid his fingers on the wounded place when she lifts it up to the light.

"Aye! A bad bruise, and the skin sadly broken. This must be very sore."

"It do ache a little, sir," returns the woman with a started tear upon her cheek.